13:I[2754,["2972","static/chunks/2972-6f5d56019c5c6a42.js","3868","static/chunks/app/tags/%5Bid%5D/page-e0de42c5bec059fc.js"],"default",1] 14:I[8387,["2972","static/chunks/2972-6f5d56019c5c6a42.js","3868","static/chunks/app/tags/%5Bid%5D/page-e0de42c5bec059fc.js"],"default",1] 16:I[2972,["2972","static/chunks/2972-6f5d56019c5c6a42.js","3868","static/chunks/app/tags/%5Bid%5D/page-e0de42c5bec059fc.js"],""] 15:T52f,

The Dark Side of Cinema: Maria Schneider's Traumatic 'Last Tango in Paris' Experience

In 1972, Maria Schneider's life was forever changed by her role in Bernardo Bertolucci's controversial film 'Last Tango in Paris', a movie that would become both a cinematic landmark and a personal nightmare.

The film, starring Marlon Brando and Schneider, featured a graphic and unsimulated sexual assault scene that was not fully disclosed to Schneider before filming. Years later, she would describe feeling 'humiliated' and 'raped' by the experience, revealing the profound psychological damage inflicted during production.

Key impacts on Schneider's life included:

Severe emotional trauma
Career-long typecasting
Struggles with mental health
Public scrutiny and objectification

The incident highlighted systemic issues in the film industry, where actors—particularly young women—were often treated as disposable and denied agency over their own bodies and performances. Schneider's experience became a pivotal moment in discussions about consent, power dynamics, and ethical filmmaking.

Her story serves as a critical reminder of the human cost behind cinematic 'art' and the importance of respecting performers' dignity and consent.

1970s Cinema on FusePop